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洪建全基金會五十年來對教育和文化的支持,既是一個家族的精神財富,也等同於台灣社會文化的資產。

 

一九五三年,礦工之子洪建全創立了「國際牌」這個享譽全亞洲的家電品牌,亦即後來於一九六二年更名「台灣松下電器」。一九七一年,企業成立「洪建全教育文化基金會」,在台灣處於戒嚴時期致力於提倡教育和文化。 

 

整個七○年代,洪建全基金會以《書評書目》期刊孕育了文學批評的誕生,並於當時台灣收藏最豐盛的音樂和電影配樂和歌曲的黑膠唱片,帶起了台灣民俗音樂的復興; 在台灣經濟指數增長的八○年代,洪建全基金會開創了人文與企業共學的先河;九○年代創設以推廣人文教育和閱讀文化的「敏隆講堂」;到了二○○○年代後期,透過委託及直接贊助,培植當代藝術家的「覓計畫」正式啟動。 過去五十年來,洪建全基金會支持過無數不同領域的作家、表演藝術家、音樂家、電影創作者以及國際知名的編舞家和舞蹈家等,如雲門林懷民和李安導演等優秀的藝術家。

 

延續洪建全基金會之開創性傳承至下一個五十年,我們決心擴展並整合不同概念的多元發展,透過多面向的贊助,為當代深耕創作者的生態系統,深入培育「創作文化」的核心目標。在這個生態系統中,我們追求並擁護整體性、跨學科、未來創造者和創造未來者的理念所驅動的社會。因為,沒有創造者,就沒有文化,也就沒有未來。

 

The Hong Foundation’s five decades support to education and culture is a family legacy that is synonymous to the social cultural heritage of Taiwan.

 

In 1953, Chien-Chuan Hong, the son of a miner, founded National, the home appliances brand known throughout Asia which later became Panasonic Taiwan in 1962.  In 1971, he established the Hong Foundation to advocate education and culture when Taiwan was still under martial law. 

 

Throughout the 70s, the Hong Foundation spawn the birth of literary criticism with the Shu Ping Shu Mu  periodicals and brought on the Taiwanese folk music revival with vinyl compilations from its music and movie collection which was the largest of such in Taiwan then.  During the exponential economic rise of Taiwan in the 80s, the Hong Foundation pioneered the integrated studies of humanities and entrepreneurship.  The 90s saw Minlong Forum's extensive dissemination of humanities education and reading cultures for adults.  In late 2000s, Project Seek was launched to support contemporary artists through commissions and direct sponsorships.  Over the last 50 years, the Hong Foundation has nurtured writers, performance artists, musicians, film makers, artists of caliber in the ranks of internationally renown choreographer and dancer Hwai-Min Lin of Cloud Gate and director An Lee.

 

Extending the Hong Foundation’s pioneering heritage into the next 50 years, we are determined to expand and underpin our diverse and evolving patronage into the central tenet of fostering the “Culture of Creation” by cultivating an Ecosystem of Creators for our time.  In this ecosystem, we seek and champion holistic, interdisciplinary, society driven ideas from Creators of The Future and Future Creators.  For without creators, there will be no culture, and no future.

洪建全基金會五十年來對教育和文化的支持,既是一個家族的精神財富,也等同於台灣社會文化的資產。

 

一九五三年,礦工之子洪建全創立了「國際牌」這個享譽全亞洲的家電品牌,亦即後來於一九六二年更名「台灣松下電器」。一九七一年,企業成立「洪建全教育文化基金會」,在台灣處於戒嚴時期致力於提倡教育和文化。 

 

整個七○年代,洪建全基金會以《書評書目》期刊孕育了文學批評的誕生,並於當時台灣收藏最豐盛的音樂和電影配樂和歌曲的黑膠唱片,帶起了台灣民俗音樂的復興; 在台灣經濟指數增長的八○年代,洪建全基金會開創了人文與企業共學的先河;九○年代創設以推廣人文教育和閱讀文化的「敏隆講堂」;到了二○○○年代後期,透過委託及直接贊助,培植當代藝術家的「覓計畫」正式啟動。 過去五十年來,洪建全基金會支持過無數不同領域的作家、表演藝術家、音樂家、電影創作者以及國際知名的編舞家和舞蹈家等,如雲門林懷民和李安導演等優秀的藝術家。

 

延續洪建全基金會之開創性傳承至下一個五十年,我們決心擴展並整合不同概念的多元發展,透過多面向的贊助,為當代深耕創作者的生態系統,深入培育「創作文化」的核心目標。在這個生態系統中,我們追求並擁護整體性、跨學科、未來創造者和創造未來者的理念所驅動的社會。因為,沒有創造者,就沒有文化,也就沒有未來。

 

The Hong Foundation’s five decades support to education and culture is a family legacy that is synonymous to the social cultural heritage of Taiwan.

 

In 1953, Chien-Chuan Hong, the son of a miner, founded National, the home appliances brand known throughout Asia which later became Panasonic Taiwan in 1962.  In 1971, he established the Hong Foundation to advocate education and culture when Taiwan was still under martial law. 

 

Throughout the 70s, the Hong Foundation spawn the birth of literary criticism with the Shu Ping Shu Mu  periodicals and brought on the Taiwanese folk music revival with vinyl compilations from its music and movie collection which was the largest of such in Taiwan then.  During the exponential economic rise of Taiwan in the 80s, the Hong Foundation pioneered the integrated studies of humanities and entrepreneurship.  The 90s saw Minlong Forum's extensive dissemination of humanities education and reading cultures for adults.  In late 2000s, Project Seek was launched to support contemporary artists through commissions and direct sponsorships.  Over the last 50 years, the Hong Foundation has nurtured writers, performance artists, musicians, film makers, artists of caliber in the ranks of internationally renown choreographer and dancer Hwai-Min Lin of Cloud Gate and director An Lee.

 

Extending the Hong Foundation’s pioneering heritage into the next 50 years, we are determined to expand and underpin our diverse and evolving patronage into the central tenet of fostering the “Culture of Creation” by cultivating an Ecosystem of Creators for our time.  In this ecosystem, we seek and champion holistic, interdisciplinary, society driven ideas from Creators of The Future and Future Creators.  For without creators, there will be no culture, and no future.