《溪山清遠》呈現於2018台北雙年展「後自然:美術館作為一個生態系統」。藝術家張碩尹與臺灣大學環境衛生研究所合作,蒐集了台北橋、台北市立美術館及木柵貓空三處的懸浮微粒PM2.5,再將其轉換為等比例的墨汁,並邀請藝術治療師帶領氣喘患者在為期六週的工作坊之中,參與繪製屏風的創作計畫。
Remote View of Streams and Mountains was presented at the Taipei Biennale 2018 ‘Post-Nature: A Museum as an Ecosystem’. In collaboration with the Institute of Environmental Health at National Taiwan University, artist Ting-Tong CHANG collected PM2.5 pollution particles from air samples at Taipei Bridge, the Taipei Fine Arts Museum, and Maokong in Muzha District, Taipei. Transforming these particles to form an ink, a six-week workshop led by an art therapist also invited asthma patients to participate in panel painting sessions using the pollution-ink to reveal the impact of air pollution on society, family, and individuals.
張碩尹
TING-TONG CHANG